poetry

underland

underland

I’m not ready to be
underground
unprepared to enter
the underworld
my brief visits so far
have been uncomfortable
shot through with wonders, yes,
but also the oppressive feel
of too little air
and too much rock
too much thick impenetrable dark

in Ireland we descended below dolmans
in the white-grey lime of the Burren
walked a muddy path
to an echoing room
with frozen rock icicles
amazing – yes
magical – no
it had the cold feel
of forbidden

back in the day
when bat noses were black
we found our way into
each of Boulder’s caves:
Harmon, Mallory, Boy Scout, Davy Crockett, Cavernous Sinus
(some now gated with metal grilles –
one more pleasure our sons will never know,
but a worthy concession to the bats)
(also somewhere up Clear Creek Canyon)
small rooms with graffiti
and the soot of illicit fires
spaces more likely to hide transients than the wild
they still gave cool shade, otherworldly echo,
the sense of adventurous exploring

then Caribou Mine
Tom Hendricks’s baby
open to the public now and then
the real deal, silver and gold still pulled out
of veins that once fed
the ghost town by the same name
we used to see him in Nederland
pale blue overalls and no shirt
hair cut by his own hand
he dominated the hand drilling contest
at Miners’ Days
a place industry and fantasy merged
jackhammers slowly turned the mountain to dust
it was all business

later Lenin’s tomb
red letters on black background
silent young men with Kalashnikovs
at each crowded landing
I gulped in fear
whenever it was
my turn to sink lower

at Carlsbad Caverns, finally overwhelming awe
we walked through wonders all day
even came back for more
I kept saying It’s just like Journey to the Center of the Earth!
(later I learned why –
some scenes were filmed there)
still the smell of the entrance swallows
made us hold our breath
and question our choices

next the Bat Cave (Gua Kampret)
black cool in the Sumatran swelter
sometimes green jewels broke open
across its uneven roof
reminding us where we were right then
unseen poisonous creatures
around every dark bend

lastly, most spectacularly,
the glowworm grotto
blue dangling orbs
laying fanciful traps
wherever our barque drifted
Te Anau fairy tales sparkled
we can always come home here

still, I’m not ready
to lie quiet
in some shallow rectangle now
with no view of sky sun stars
I need more time
more air
more earth
more days

poetry

ceding control

ceding control

illness imposes humility
the mortification of being reduced to
one’s bodily functions
malfunctioning
in public

unconcerned with politeness
the body has its way with one
does all manner of offensive things
and past the point of social graces
we surrender without shame
relieved by mere survival

poetry

a bower for Alex

a bower for Alex

lined with alpaca
and table saw shavings
overlaid with fine mosquito-proof screen
arched across ultralight trekking poles

inside: a Will Shortz NYT Sunday crossword (blank)
and Dixon Ticonderoga #2 (sharp, with sharpener)
an Agatha Christie you’ve forgotten
and a phone with earbuds and economics podcasts
(esp. Freakanomics
esp. Marketplace
and anything Nate Silver)

leading to the door:
alternating chilled pint glasses
(the sweat beading up and rolling down their straight substantial sides
masking the flat amber of the 90 Shilling inside)
and rich brown drip coffee with real milk to take the edge off

what else?
some Trails Illustrated maps
Greg Brown on a radio
and a stone the blue of northern ice
under a clear night sky
at the foot of a snow-dusted mountain
by a tender talking stream

poetry

Opening Papua

opening Papua

her reefs were hidden by azure skirts
bowerbirds dozed in the kinks of her hair
cuscus and cassowaries peeked out
from the folds of her emerald skin
her deep beauty concealed
from a stranger’s passing glance

until a sharp man
conversant with birds
traced a pig’s path
with his machete
learned a language
copying letters onto leaves
put down his bow for binoculars
and welcomed everyone:
neighbor stranger Java-man
alike saying
come to the Arfak
visit our village
meet our wonders
then please go home

poetry

Arfak economics

Arfak economics

mountain people
stay in the mountains
eat from the forest
climb steep tracks
as a matter of course

the cool air and mist
slip down the sheer green slopes
refresh and energize
and, not stifled by midday swelter
not prostrated by unending sun
the busy people shake their heads:
in the lowlands a man grows only bananas
trades this food for money
takes the money to the store
trades it for food –
why doesn’t he just
grow a garden instead?

this mountain man goes on:
in 1990
someone gave me money
I didn’t know what it was
so I brought it to the church
asked do you know what to do with this?

yes they said
yes, we do

poetry

priorities

priorities

sadly no superhero
tonight I carve out hours
in the blue-black dark
searching for a living reef
with nesting birds
a responsible skipper
adequate shade
and a tiny pricetag

and tomorrow I still won’t have
six-pack abs

poetry

not hearing the sea

not hearing the sea

after only four days
the waves have receded
the sound only registers
when I train my attention
on the pleasing steady unevenness
they’ve kept up below
ever since we arrived

so soon we become
senseless of wonder
even when it whispers
in our ears all day

poetry

disasters that didn’t happen

disasters that didn’t happen

so close to the goal
he dreams it all goes wrong
every way at once

yes, you might drop
your book in the drink
keel over, tumble straight off the dock
forget your name and what you’re here for –
things do happen
plans do change
but as Bryson likes to say
most days nothing erupts
you don’t drift out into space
lightning doesn’t crisp your brow

the pit in your stomach
won’t better your odds
no matter how much of your day
it consumes

welcome to the unknowable,
& the relief of trusting
you’ll see your way through
each lovely disaster that unfolds

poetry

mass migration

Owen took these photos.

mass migration

a river of frigatebirds
overhead
all afternoon

we crane our necks
barely believing
such abundance still exists
in this beat-up old world

their angular bodies
hardly beat a wing
merely stream like
living contrails

on target
on task
their every gesture says
certain

poetry

haunted

haunted

wraiths drift
cats arch
bats blink
graves creak
spiders spin
leaves crunch
ghouls moan
children grin
mouths sticky
hugging fear
making dread
familiar